This magnificent painting by Carle Venet depicts the triumph of Aemilius Paullus, the Roman general who defeated the Macedonians at the battle of Pydna in 168 BC. At that date, mid-way between the Second and the Third Punic Wars, Rome’s conflict with Carthage was still unresolved, but at Pydna she smashed the last remnants of Alexander the Great’s empire and opened the way for conquest of the East. A little over twenty years later Roman legionaries stood astride the towering crags of AcroCorinth and proclaimed rule over all Greece, and in the same year Paullus’ son Scipio Aemilianus took Carthage and secured Roman control over the west Mediterranean. Without Pydna it’s unlikely that either of those victories in 146 BC would have taken place as they did, so this painting represents one of the pivotal events of ancient history ...
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My novel Total War Rome: Destroy Carthage begins in 168 BC at the Battle of Pydna, the decisive engagement in which the Roman general Aemilius Paullus defeated a Macedonian army and secured Roman power in northern Greece. The action then moves to Rome for the triumphal procession, a massive haul of works of art and other booty being watched by Aemilius Paullus, his son Scipio Aemilianus and the old senator Marcus Porcius Cato, whose cry ‘Carthage must be destroyed’ resonates through the novel just as it did in real history ...
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One of the great excitements for me of writing Total War Rome: Destroy Carthage was the chance to create a story set against an event that was not only pivotal in ancient history, but also a highlight of my own career. Like many archaeologists I’ve often had difficulty correlating what I’ve been excavating with the great events of recorded history—with wars and political upheavals. Often it seems as if those events simply bypass the majority of people, leaving unaffected what the historian Fernand Braudel called the “underlying continuity” of day-to-day life. But sometimes the events are so huge, so all-encompassing, that they reach through the entire fabric of life, leaving their mark everywhere. When you’re confronted with that evidence emerging from the ground, when the scale and reality of those events becomes apparent, the effect can be shocking ...
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In my novel Total War Rome: Destroy Carthage, the Roman general Scipio Africanus stands with his companion Fabius before the walls of Carthage, waiting for the catapults to let fly and for the assault that will change the course of history. The two men cast their minds back to the siege of Intercatia in Spain years before when Scipio had been the first on the walls, winning the coveted corona muralis, and they wonder which of them will be first this time. Here’s an extract from the novel to show what happens next ...
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